“From a traditional dating sim standpoint, you usually choose one route, one lover, and you go with that,” says Chase, who was the lead narrative designer, on top of doing voice work in the game. The team thought about following a similar path before eventually rejecting it for feeling too limiting. “This is a game that celebrates polyamory by definition—you are dating everything,” he says.
Despite the inherent absurdity of its premise, Date Everything is closer to modern dating than many dating sims today. The player’s character is stuck in a dead-end job that’s being eaten by shady CEOs and capitalistic greed. It’s not always easy to find the objects you want to ask out, and sometimes even when you do you quickly learn there’s no chemistry. Some of the characters carry content warnings for things like stalking, or are downright rude; others get clingy or just want hookups.
“We’re telling [a story with] a lot of different ways that love can be expressed,” says Chase. “We have some characters who are explicitly horny, and all they want is a pure sexual relationship with the player.” Other characters are asexual, meaning they aren’t sexually attracted to others, or are aromantic and don’t experience romantic feelings. “We even have some very sexual characters that are totally fine with a completely asexual playthrough, showing that kaleidoscope of different ways of expressing love and friendship,” he says.
For purists who aren’t keen on that idea, it’s still up to them to decide what they want. “You are getting to know a lot of characters in the house, but whether you fall in love with them or become friends or become enemies, it doesn’t really matter. You can still do a completely purely monogamous relationship with one character or with five hangers.” (Hangers usually come in a pack, so even together they all count as one character). “We wanted to make sure that all the pathing for everybody was as diverse as people are diverse as well,” Chase says. “We didn’t want any repetition between characters thematically.”
Sassy Chap doesn’t consider their game a typical dating sim, nor do they think it necessarily—or needs to—fit perfectly in that genre. “The whole point of the dating sim genre is to embody the human experience,” says Amanda Hufford, who also wrote and acted in the game. “As that evolves, so does the genre—or at least it should.”
Variety is just as much a benefit to the genre as it is to real-life dating. “You do date around, you get to know people at different depths, different lengths of time, and that’s really important to exploring yourself and how you experience relationships with other people—how you connect with others, what you need, what you don’t need,” Hufford says. “I don’t think a lot of [dating] games necessarily always give you that kind of opportunity.”
Hufford adds that they think it’s good when players find characters they don’t vibe with. “That’s not for them. They learn something about themselves, not only as a player, but also as a person, which was kind of the goal.”
In my case, it turns out, I’m not all that interested in dating self-absorbed influencers. When Date Everything gave me the dialogue option to end my time with Lux, I happily took it: “Changed my mind. I fucking hate you.”
